![]() Metaphors such as Brownian motion do not only offer us a different framework for understanding the creative processes that characterize fan fiction writing they also remind us to focus on those creative processes themselves, as well as on the fans who engage in them. Textual Poachers: Television Fans and Participatory Culture is a non-fiction book written by aca-fan Henry Jenkins and originally published in 1992. Whereas textual poaching offers us a vision of fans as nomads, moving through a place and collecting materials, Brownian motion offers us a vision of fan fiction as world building, a process that remakes the place itself. Buy Textual Poachers by Henry Jenkins ISBN 9780415533294 0415533295 2nd edition or 2012 edition Textual Poachers: Television Fans and Participatory Culture. ![]() One promising alternative structure is that of Brownian motion, a scientific concept that both Michel de Certeau and Constance Penley have offered as a metaphor for creativity. Challenges to this model and metaphor are important but have not successfully displaced the prominence of the textual poacher. Henry Jenkins's metaphor of the textual poacher has achieved tacit acceptance and widespread circulation, suggesting that it has become relatively fixed as a description of fan creative practices among fans as well as in scholarship. ![]() New metaphors must be adopted for the writing of fan fiction. Textual Poachers: Scholars, Fans, and Fragments Thinking about lost texts and reading fragments is very like being in a classical land and standing am. Textual Poachers describes a social group struggling to define its own culture and to construct its own community within the context of what many observers have described as a postmodern era it documents a group insistent on making meaning from materials others have characterized as trivial and worthless. Brownian motion, Creative process, Readers, Textual poaching Abstract Its power to stir emotions, provoke thought, and instigate transformation is truly remarkable.
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